Wednesday, October 29, 2025

Pastrami Beef Dino Ribs -Talking Story with Arlo

Storytelling
Talking Story with Arlo

Pastrami Beef Ribs: 
A Cosmic Ode to Dinosaur Delights

By Arlo Agogo

Dig this, cats and kittens, let me lay down a tale so juicy it’ll make your taste buds do the jitterbug. 

We’re talkin’ pastrami "Dino" beef ribs—those gargantuan, Flintstone-sized slabs of bovine bliss, smoked low and slow, kissed by spices, 

and funkified into pastrami perfection. 

This ain’t just food, man; it’s a portal to the cosmos, a meaty mandala that spins your soul right into the orbit of Funkadelia, where the Groovatrons groove to the rhythm of the universe. 

So buckle up your ride, slip on your paisley shades, and let’s ride this flavor wave to the stars.

Picture me, your ol’ desert-wandering beatnik, 58 years young, tooling down Rosemead Blvd, in my 1965 VW Bus, headed to "The Hat", the one with the tie-dye curtains and a bumper sticker that says, 

“Honk if you dig quantum entanglement.” 

It’s a Saturday night, circa now, 2025, and the air’s thick with the promise of something righteous. I’m headed to "The Hat" in Pasadena, that sacred temple of pastrami where the neon glow hums like a Zen koan.

Back in the day, my Dad—God rest his soul—used to haul me there, his ’67 Mustang purring like a contented cat. 

We’d slide into a booth, order pastrami sandwiches slathered with that special dip sause, and talk about life, golf and the pursuit of the perfect bite. 

"The Hat" was our church, and pastrami was the sermon. Fast-forward to last week, and I’m in my Mohave Dessert pad, sipping some far-out oolong I scored from a tea merchant in Santa Ana. 

My neighbor, this cat named Rusty—a grizzled BBQ shaman with a smoker in his front yard that looks like it could launch a rocket—rolls up with a proposition.

“Man,” he says, eyes glinting like he’s seen the face of God in a brisket, “I got somethin’ special. 

Pastrami beef ribs. Dino-sized. 

You give me fifty bucks’ worth of that fancy tea you got, and I’ll hook you up with three ribs that’ll blow your mind clear to Alpha Centauri.” I’m no fool, daddy-o. I know a cosmic deal when I hear one. 

I hand over the tea, and he hands me these ribs, wrapped in butcher paper, still warm, smelling like a spice bazaar on a planet where flavor is king.

Now, let’s get one thing straight: pastrami beef ribs ain’t your run-of-the-mill BBQ. These ain’t the ribs you gnaw on at a backyard shindig while your cousin burns the hot dogs. No, sir, these are dinosaur ribs, the kind of meat that makes you feel like you’re wrestling a brontosaurus and winning. 

Rusty, that sly alchemist, took these Flintstone-worthy bones and gave ’em the pastrami treatment—brined in a witch’s brew of salt, sugar, and secrets, crusted with a pepper-coriander cloak, then smoked for what I’m guessing was ten hours, maybe twelve, until they were tender enough to make a grown man weep. 

The result?

A slab so succulent, so groovy, it could make a vegan reconsider their life choices. But how’d this idea even beam into Rusty’s brain? Word on the street is, the Groovatrons had a hand in it. Yeah, those intergalactic funkateers from Planet Funkadelia, the ones I told you about in my last blog, hitching rides on quantum waves and spreading good vibes across the multiverse. 

See, the Groovatrons ain’t just about cosmic boogie; they’re foodies, too. Legend has it, they caught wind of Earth’s BBQ scene through some interdimensional diner menu and zeroed in on Rusty’s smoker like it was a beacon. 

“Man,” they telepathically zapped to him, “you gotta take those beef ribs and make ’em pastrami. Brine ’em, spice ’em, smoke ’em till they sing!” Rusty, being the kind of cat who listens when the universe whispers, did just that. 

And now, here I am, holding a beef rib that’s practically glowing with extraterrestrial mojo.Let’s break it down, beatnik style. 

Pastrami, for those who ain’t hip, is like the lovechild of a deli counter and a jazz riff. You start with a hunk of beef—brisket’s the classic, but Rusty went rogue with these ribs. 

You soak it in a brine that’s part chemistry, part poetry: salt, garlic, maybe a whisper of clove or allspice, and who-knows-what-else that Rusty won’t spill. (I asked, but he just winked and said, “Trade secrets, man.”) 

After days of marinating, you rub it down with a spice mix that’s black pepper and coriander doing a tango, then you smoke it low and slow until the meat surrenders, soft as a sigh, with a crust that’s all bark and glory. 

Slice it thin for a sandwich, sure, but leave it on the bone like Rusty did, and you’ve got a primal feast that’d make a caveman write sonnets.

I take these ribs home, unwrap ’em, and—sweet mercy—they’re a sight. Each one’s as big as my forearm, glistening like they’ve been polished by the gods. The pastrami crust is dark, speckled with spice, and the meat underneath is pink-ringed from the smoke, promising a flavor bomb that could detonate your soul. 

I fire up the ol’ record player, drop some Wes Montgomery for ambiance, and dive in. 

The first bite? Man, it’s like biting into a supernova.

The crust crunches, the meat melts, and the spices—oh, the spices—they hit every note from smoky to sweet to peppery. It’s The Hat’s pastrami sandwich, but bigger, badder, and bonier. 

I’m half-expecting the Groovatrons to materialize in my living room, clapping their funky paws in approval.

Now, I ain’t no stranger to pastrami. Growing up, it was my go-to, whether from The Hat, a catering truck on Huntington Drive, or some hole-in-the-wall deli where the counter guy knew my order before I opened my mouth. 

But store-bought pastrami? Nah, that’s like listening to a cover band play Miles Davis—close, but no cigar. The real deal, like Rusty’s ribs, is a labor of love, a process that takes time, patience, and a little bit of madness. 

It’s why I’d drive clear across town to The Hat at midnight, weaving through the neon jungle of Valley Boulevard, just to sink my teeth into that perfect sandwich, sauce dripping down my chin, my buddies laughing over Cokes and fries. As I’m gnawing on this rib, I swear I hear the Groovatrons humming in the ether, their funky frequencies syncing with the beat of my heart. 

They’re digging this, too, broadcasting the recipe back to Funkadelia, where they’re probably throwing a pastrami rib rave right now. I picture ’em, all glowy and grooved-out, passing around platters of these ribs, their six-fingered hands sticky with sauce, their boomboxes blaring intergalactic beats. 

“Earthlings got it goin’ on!”, and I can’t help but grin.

So here’s the moral, if you’re looking for one: life’s too short for bland meat. Find you a Rusty, a cat who’s crazy enough to turn dinosaur ribs into pastrami poetry. 

Or better yet, hit up The Hat, order that sandwich, and let the shoe-shine sauce baptize your soul. Me? I’m gonna keep trading tea for ribs, keep cruising these desert roads, and keep listening for the Groovatrons’ next big idea.

Because when pastrami beef ribs are this good, man, the universe feels like 

--one big, smoky, delicious jam session.

Groove is in the Heart - Arlo
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Sunday, October 26, 2025

The Walk Talk - Talking Story with Arlo

Talking Story with Arlo

By Arlo Agogo

The Walk Talk: Struttin’ the Cosmic Heel-Toe Boogie. Dig this, cats and kittens—walking ain’t just locomotion, it’s a full-blown beatnik sacrament, a syncopated symphony of heel-strike, roll-through, and push-off that turns your lowly gams into pneumatic love pumps for the heart.

I call it the Walk Talk, and once you latch onto its rhythm, daddy-o, you’re no longer trudging—you’re gliding on the asphalt astral plane.

Picture it: you plant that outside heel like you’re kissing the earth with a saxophone squeal. 

Roll across the lateral edge—whish-whish—calf muscles poppin’ like bongos in a basement jam. 

Arch hooks, forefoot loads, weight shimmies inside like a slow dancer at 3 a.m., then—BAM—big toe blasts off with gluteal thunder. 

Leg lifts, swings, repeats. Left-right-left-right, a rhythmic gait so smooth it’s like your feet are strapped to invisible pedals on the Cosmic Bicycle of Blood.

Push and pull, baby—venous return on the upstroke, heart just lounging in its chamber, valves flappin’ lazy like a hipster’s beret in the breeze.

Your legs? Twin turbo pistons.

Your feet? Pumps primed for the pulmonary express.

Blood whooshes back to the lungs—filter, oxygenate, recirculate—all because you’re squeezin’ veins with every stride. 

Heart’s job? Reduced to a cool cat doorman, just openin’ and closin’ the gates while the leg squad does the heavy liftin’.

But hold the phone, Jack—walking ain’t just circulatory voodoo. It’s brain balm, man. Slip on the headphones, cue up some Pink Floyd, and suddenly the afternoon’s static dissolves. 

Morning walk? Mental espresso. Afternoon constitutional? Reset button for the soul. You’re not thinking about walking once the groove locks in—it thinks you. Thoughts float like soap bubbles in a bebop solo: “What if clouds were cotton candy?” “Did that squirrel just wink?” 

Daydreaming becomes default mode, and the day’s petty hassles? Poof. You’re walking away from ’em, literally—nobody can harsh your mellow when you’re three blocks gone and still accelerating.I’m a different cat on the pavement. 

Off the path? Maybe a worrier, a clock-watcher, a guy who forgets where he parked his chi. 

On the stride? I’m Captain Groovy, mayor of Splendorville. Thought patterns go technicolor trippy—synesthesia in sneakers. 

The crack in the sidewalk? A lightning bolt from Zeus. That dog’s bark? Stand-up bass riff. Neighbors wave, I flash the peace sign grin—“Howdy, citizen of the groove!”—and keep rollin’.

Weights? Man, weights are heavy.

Why hoist iron when the world’s your resistance band? Hills, stairs, wind—nature’s gym, free admission. Sure, in my late 60s I’ll sneak in some kettlebell swings to keep the hinges oiled, but walking’s the main course.

Effort in = effort out: chores lighter, driving sharper, outlook sunny-side up.Some cats make it a scene, dig? Walking clubs—perambulatory poetry slams. Load up the Buick, caravan to a redwood trail, unpack thermos coffee and existential banter. 

“The meaning of life? One foot in front of the other, baby.” Social struts where gossip morphs into philosophy, blisters into badges of honor.

See, walking is grooving, and grooving is living. 

It’s the original mobile meditation, the poor man’s psychedelic. No guru, no ashram—just you, the rhythm, and the infinite sidewalk unfurling like a reel of film. 

Every step a beat in the universal jam session. Miss a day? You’ll feel it—heart sulks, mind fogs, soul drags. Lace up daily? You’re bulletproof, baby.

So here’s the prescription, straight from the Walk Talk prophet:
  • Heel outside—kiss the ground.
  • Roll lateral—calf pop.
  • Arch hook—fire the calf muscles which are anchored to arch.
  • Big toe blast—gluteus maximus et tu.
  • Leg swing—pull up on the backstroke.

Repeat till enlightenment (or at least till the playlist loops).Do it at dawn—sun salutation in motion. Do it at dusk—streetlights your spotlight. Do it rain or shine—puddles are mirrors for the soul. Find your personal tempo: some cats saunter 3 mph like a slow blues, others brisk 4.5 like up-tempo swing. 

Doesn’t matter—rhythm is king.

And when the world tries to clip your wings with deadlines and drama, remember: you can always walk away. Literally. One stride at a time, you’re rewriting your biochemistry, your mood, your entire cosmic zip code.

So blow that horn, spin that vinyl, but most of all—lace up and lay down the law of the groove. The sidewalk’s waiting, the blood’s ready to boogie, and your heart’s already tapping its foot.

Walk on, wild children. Walk on.

Groove is in the Heart - Arlo
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Wednesday, October 22, 2025

Daisy at the Laughlin Desert Classic - Talking Story with Arlo

Talking Story with Arlo

By Arlo Agogo
A Day with Daisy at the Laughlin Desert Classic.
The desert sky was ablaze with streaks of orange and pink as I climbed into Daisy, my 1968 VW dune buggy, on a crisp Wednesday morning. Here in the tri-state area, where Arizona, Nevada, and California meet near Laughlin, the annual
Laughlin Desert Classic is the event of the year for off-road fanatics.
The races were set for Thursday through Saturday, but today was practice day—a chaotic symphony of revving engines and flying dirt as racers fine-tuned their machines on the 14-mile track just across the Colorado River from Laughlin’s neon-lit casinos.
I’m no racer, just an old beatnik with a love for cruising, but I figured Daisy and I could soak up the scene. With her bright yellow body, 90% chrome trim, and a 1875cc motor growling through straight-header “trumpet” exhausts,
Daisy was ready to turn heads.
Before hitting the road, I swung by McDonald’s for a sausage McMuffin, a hashbrown, and a steaming coffee to keep me sharp.
The racetrack was a quick 10-mile cruise north along the river, Daisy’s engine purring as we wound through the desert. Her electronic ignition and chrome-heavy motor—state-of-the-art for 1968—made her a rolling piece of history.
I named her Daisy for her sunny disposition, but don’t let the name fool you; those straight headers called trumpets roar like a lion when I fire her up.
Pulling into the racetrack’s staging area felt like entering a war zone of horsepower.
Trophy trucks, side-by-sides, and unlimited modifies of every stripe filled the lot, their crews tweaking suspensions and checking tire pressures. The air smelled of gasoline and dust, and the 14-mile track stretched out like a gauntlet of bumps, jumps, and loop-de-loops designed to break machines and men alike.
I found a prime spot to park Daisy, where I could lean back in her bucket seat and watch the practice runs tear through the desert. I wasn’t here to race—just to cruise, spectate, and maybe show off Daisy a bit.
As I sipped my coffee, I noticed the stares.
Daisy’s polished chrome gleamed like a mirror in the morning sun, a stark contrast to the matte-painted, mud-caked beasts around us. A group of young racers in branded gear sauntered over, smirking at my shiny relic.
Nice show car, Grandpa,” one quipped, his buddy chuckling. I just grinned, letting them have their moment. Then they circled to Daisy’s rear and froze.
“Holy crap, look at that motor,” one said, eyeing the 1875cc beast hanging off the back. “That’s legit.”
Another nodded, suddenly serious. “Respect, man.” Daisy’s no trophy truck, but for 1968, she’s a monster, and they knew it.
As the morning wore on, Daisy became a magnet. The lot was packed with high-dollar machines—carbon-fiber Trophy Trucks and side-by-sides built to hit triple-digit speeds and soar 30 yards over jumps—but my little buggy stood out.
A photographer from Off-Road Pulse, an online magazine covering the desert racing scene, wandered over, his camera slung around his neck.
“Mind if I snap a few shots?” he asked, already framing Daisy in his lens. “This thing’s a classic. Readers love the retro vibe.”
I waved him on, and he circled Daisy like a vulture, clicking away. “Can you fire it up?” he asked. I obliged, and Daisy’s trumpets let out a throaty roar that turned every head in the lot. The photographer grinned.
“That’s the money shot.”
Then came the trophy girls—three of them, all decked out in matching red crop tops and shorts, promoting some energy drink sponsor.
They’d been posing with the sleek, modern rigs, but when they saw Daisy, they made a beeline. “Oh my God, this is so cool!” one squealed, running her hand along Daisy’s fender.
“Can we get a picture with you and the buggy?”
I raised an eyebrow, surprised. “You sure you don’t want another Trophy Truck? They’re all starting to look the same.” The lead girl, a blonde with a megawatt smile, laughed. “Nah, this one’s got personality. And that chrome? Total Instagram gold.”
I shrugged, climbed out, and leaned against Daisy as they posed around her, giggling and snapping selfies. The photographer joined in, shouting directions:
“Smile, Grandpa! You’re stealing the show!”
I shook my head, chuckling. Grandpa’s in town, alright.The practice runs were in full swing now, and the track was a blur of motion. Trophy Trucks launched off jumps, soaring through the air like metal birds before slamming back to earth with bone-rattling thuds.
The crowd cheered, but I stayed put, watching from Daisy’s cockpit. I struck up a conversation with a racer named Mike, a wiry guy with grease-stained hands and a beat-up helmet. His side-by-side looked like it cost more than my house.
“Blew a transmission last year,” he said, wiping sweat from his brow. “But I’m back. Gotta chase that high, you know?” I nodded, but I didn’t know. These racers were a different breed, pouring thousands into their machines, risking broken bones for a shot at glory.
The prize money here wasn’t even that big—maybe a few grand for the winner. “It’s not about the cash,” Mike said, eyes gleaming. “It’s about flying over that jump, hitting it just right, and knowing you’re faster than the next guy.”
I got it, in a way. But me? I’m an old beatnik, not a racer. I like cruising fire roads at 40 mph, Daisy’s engine growling, the desert breeze in my face. I don’t need to get all four wheels off the ground or fly 20 yards over a dune. Daisy’s my ride, my art, my escape. Still, I had to admit, the energy here was electric.
The racers’ passion, their obsession with speed, was infectious. I found myself tapping my foot to the rhythm of revving engines, caught up in the chaos.By afternoon, the heat was brutal, and the practice runs were winding down.
The Off-Road Pulse photographer came back, showing me shots on his camera’s screen. Daisy looked like a rock star, her chrome glinting against the dusty backdrop.
“These are going viral,” he said. “You and this buggy are the story of the day.”
The trophy girls swung by again, asking for one more pic. “You’re cooler than these other guys,” one said, winking. “They’ve all got the same rigs. You’ve got… Daisy.” I laughed, patting the buggy’s hood. “She’s one of a kind.”
As the sun dipped low, casting long shadows across the track, I decided it was time to head home. I fired up Daisy, her trumpets blaring through the lot. Heads turned, phones came out, and I caught those familiar smiles—some genuine, some patronizing, like I was the quirky old-timer who crashed the party.
“Nice pipes, Grandpa!” a racer shouted, giving me a thumbs-up. I waved back, grinning. I cruised through the lot, Daisy’s rumble drowning out the chatter, and headed for the river road. The casinos’ lights twinkled in the distance as I drove, the desert stretching out around me.
Those racers were chasing speed, glory, the next big jump. Me? I’m chasing something quieter—open roads, a loud engine, and the freedom to be who I am. Daisy’s my partner in that, a shiny, loud, badass piece of 1968 that still turns heads, even among the high-flying rigs of the Laughlin Desert Classic.
And as we rolled home, her trumpets singing, I knew one thing for sure:
I’m just an old beatnik, Daisy’s just a buggy, and that’s all we need to be.
Groove is in the Heart - Arlo
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